Famille du peintre Henri Evenepoel , Automne 1898 à Paris.
The Panthéon is a building in the Latin Quarter in Paris. It was originally built as a church dedicated to St. Genevieve and to house the reliquary châsse containing her relics but, after many changes, now functions as a secular mausoleum containing the remains of distinguished French citizens.
The inscription above the entrance reads AUX GRANDS HOMMES LA PATRIE RECONNAISSANTE ( “To the great men, the grateful homeland”). By burying its great men in the Panthéon, the Nation acknowledges the honour it received from them. As such, interment here is severely restricted and is allowed only by a parliamentary act for “National Heroes”. Similar high honours exist in Les Invalides for historical military leaders such as Napoléon, Turenne and Vauban.
Among those buried in its necropolis are Voltaire, Rousseau, Victor Hugo, Émile Zola, Jean Moulin, Louis Braille, Jean Jaurès and Soufflot, its architect. Marie Curie is the only woman interred based on her own merits.
A portrait of George Sand.
Amandine-Aurore-Lucile Dudevant, née Dupin, was a Romantic novelist published under the pseudonym George Sand. A dear friend of Nadar, she was photographed frequently by him through the 1860s.
George Sand, 1861-1869, Nadar. J. Paul Getty Museum.
French Territorial changes from 985 to 1947
Another follower had a similar request a few months ago, so here are the recs she got:
- La Belle France; a short history by Alistair Horne
- A History of Modern France by Jeremy Popkin
- A History of French Passions by Theodore Zeldin
- The Discovery of France by Graham Robb
- “The History of France” - Jan Baszkiewicz, but it’s a polish book. i dunno if it’s translated in eglish : (
I can add some French books recs, if you want.
And if anyone wants to complete this list, go ahead! That’d be really nice of you.
6th of June 1944 - World War Two: the Allied Invasion of Europe - theatlantic.com
1. A section of the Armada of Allied landing craft with their protective barrage balloons head toward the French coast, in June of 1944. (AP Photo)
2. Canadian soldiers from 9th Brigade land with their bicycles at Juno Beach in Bernieres-sur-Mer during D-Day, while Allied forces were storming the Normandy beaches. (STF/AFP/Getty Images)
3. Thirteen liberty ships, deliberately scuttled to form a breakwater for invasion vessels landing on the Normandy beachhead lie in line off the beach, shielding the ships in shore. The artificial harbor installation was prefabricated and towed across the Channel in 1944. (AP Photo)
la “Machine” d’Angélique du Coudray
Angélique Marguerite Le Boursier Du Coudray was born in 1714 into an eminent French medical family in Clermont-Ferrand. In February of 1740, at the age of twenty-five she completed her three year apprenticeship with Anne Bairsin, dame Philibet Magin and passed her qualifying examinations at the College of Surgery École de Chirurgie. Du Coudray later became the head accoucheuse at the Hotel Dieu in Paris.
She published an early midwifery textbook, Abrégé de l’art des accouchements (Abridgment of the Art of Delivery) in 1759, which was a revision and expansion of an earlier midwifery textbook published in 1667.
In 1759, the king allowed her to teach midwifery to peasant women in an attempt to reduce infant mortality. Between 1760 to 1783, she traveled all over rural France, sharing her extensive knowledge with poor women. During this time, she is estimated to have taught in over forty French cities and rural towns and to have directly trained thousands of students. She has also taught surgeons and physicians, who were all men.
Du Coudray died at the end of the end of the 18th century.
Du Coudray invented the first lifesize obstetrical mannequin, for practicing mock births. It was usually called “The Machine”. Each machine cost about three hundred livres to construct. They were usually made of fabric, leather, and stuffing and on occasion they would use actual human bones to form the torso. Various strings and straps serve to simulate the stretching of the birth canal and perineum, to demonstrate the process of childbirth. The head of the infant mannequin has a shaped nose, stitched ears, hair drawn with ink, and an open mouth (with tongue) into which a finger could be inserted to a depth of 5 cm. This detail was important, as it allowed the midwife to put two fingers into the mouth, to facilitate the passage of the head in case of a breech presentation.
According to Medarus.org, Du Coudray wanted her lesson to be palpable and then had the idea to create a mannequin that would enable the student to practice different kind of situations (with a seven months foetus, with twins, with a new born…)
Benoît-Constant Coquelin (Coquelin aîné), actor, at the first performance of Cyrano de Bergerac, from the same-named play, by Edmond Rostand, 27 december 1897, théâtre de la Porte-Saint-Martin.
Photo of the Paris Exposition: Champ de Mars and Palace of Metallurgy, Paris, France, 1900 from the Brooklyn Museum
by What I Like on pinterest.com
Théatre des Champs Elysées, Paris, France
The Théâtre des Champs-Élysées is a theatre at 15 avenue Montaigne. Despite its name, the theatre is not on the Champs-Élysées but nearby in another part of the 8th arrondissement of Paris.
Opened in 1913, it was designed by French architect Auguste Perret and founded by journalist and impresario Gabriel Astruc to provide a venue suitable for contemporary music, dance and opera, in contrast to traditional, more conservative, institutions like the Paris Opera. It hosted the Ballets Russes for its first season, staging the world première of the Rite of Spring on Thursday May 29, 1913, thus becoming the celebrated location of one of the most famous of all classical music riots.